In her Common Reader
series, Virginia Woolf remarks upon life and literature throughout a
compilation of essays, many of which originally appeared in publications such
as Vogue, The Nation, and the Times
Literary Supplement. The second part of the Common Reader series, this specific book was published in 1932 by
Virginia herself, along with her husband Leonard, at the Hogarth Press, 52
Tavistock Square in London. It is the “second impression” of the first edition,
printed by R. & R. Clark, Ltd. in Edinburgh.
The Hogarth Press venture originally began as a hobby when
the Woolfs were living in Richmond, later becoming a source of supplemental
income and a therapeutic, tactile alternative to the stresses of Virginia’s
writing. I found the link between Tycho Brahe’s singular printing endeavor and
the Woolfs’ publishing venture to be interesting. Darton, Johns, and Ezell all
question the “fixity” of print, and it is Johns specifically who argues that “printed
texts were not intrinsically trustworthy. When they were in fact trusted, it
was only as a result of hard work” (p. 284). The phenomenon of publishing and
printing your own written work (although this particular copy wasn’t printed by
the Woolfs themselves) eliminates the variables that would be possible in a
typical “communications circuit” (i.e. Darnton), but perhaps only to a certain extent.
The fact that the Woolfs published and printed much of
Virginia’s writing does not undermine the idea of “publication” being primarily
social in nature (and I would argue that their doing so is, in fact, "social" to the core). Publication is merely a part of the communications circuit. On
the title page of The Common Reader –
Second Series, Virginia presents a quote by Dr. Johnson in Life of Gray: “…I rejoice to concur with
the common reader; for by the common sense of readers, uncorrupted by literary
prejudices, after all the refinements of subtilty and the dogmatism of
learning, must be generally decided all claim to poetical honours.” It is the
reader who truly completes the communications circuit, who is responsible for interpreting
signs to create meaning, and who ultimately must determine the veracity of the methods
by which those signs were produced.
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